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Mike Shur has actually talked about this Nice LGBT I Swing Both Ways Violently With A Hammer Vintage Shirt phenomenon (and worked on both shows). For Parks, they realized that the reason Leslie was coming off as uptight wasn’t because of what she was doing, but how the other characters reacted to her. So the pivot in the second season is that while her office still thinks she takes things too far in pursuit of her goals, they understand she’s a good person who means well. It’s better for your overall storytelling too, because it’s a lot easier for them to get roped into helping her on all these side missions since they actually like her. Whereas in TV, you’re shooting for 7-8 days per episode (6 if you’re unlucky), so you can’t just stop Nice LGBT I Swing Both Ways Violently With A Hammer Vintage Shirt and get things right — the train keeps moving. So especially if you’re also in a rush leading up to production (common), the hiatus after the first season might actually be the first moment where you’ve had the time to think deeply about where the characters are since you wrote the pilot! Yep totally. Movies are only able to pull off the illusion of a cohesive whole without weeks of rehearsal because of the schedule (and many big directors still demand contractual rehearsals). You can spend days trying to get a scene right.
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